With ten years experience in marketing, public relations and as a media liaison officer for various companies and projects in regional New South Wales, Irene made a switch to the theatre industry in 2006, studying in Newcastle at the Hunter Institute of Music and Theatre before moving to Armidale to begin a Bachelor in Theatre Studies at the University of New England in 2008. Now in her third year, Irene has elected to undertake professional industry experience with the Tasmanian Theatre Company, requesting secondment to a new Australian production. With the focus of her studies on the creative process for acting, directing and playwrighting, Irene is observing some fine Australian artists and administrators and how they develop a unique piece of theatre. An amateur but enthusiastic photographer, Irene is also experimenting with social media and ‘blogging’ to augment her academic writing.
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Now that Sex, Death and a Cup of Tea has hit the road for a Regional Tour presented by Tasmania Performs, the cast and crew are taking up the task of blogging from Irene…
Tasmania Performs Regional Tour ~ August 3 – 21
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TUESDAY 24 – SUNDAY 29 August – Launceston
We left Hobart after a day off and headed for the Earl Arts Centre in Launceston. Our five performances in Launceston were scheduled to coincide with “Junction”, the 2010 Regional Arts Festival and Conference, which was a program of presentations and performances across a wide range of art forms bringing participants from around Australia to celebrate regional arts in the venues, galleries, streets and shopfronts of Launceston. The Earl Arts Centre is a great venue – modern auditorium seating, spacious stage, comfy dressing rooms and good technical facilities. After a technical rehearsal on Wednesday afternoon under the guidance of our director Robert Jarman, who had come up from Hobart, we opened to an enthusiastic audience of 70 or so that evening. Audiences grew steadily and on Friday night we peaked with a house that was pretty full at 140 or so. We celebrated that night with visit to the Festival Club and party back in our accommodation with our good friend Glen who had turned up at a couple of other places on tour.
It was odd to finally perform the show in the same venue for a run of nights after weeks of travelling, bumping in and bumping out one-night stands around the state. This more relaxed schedule meant that we could do a bit of sightseeing around Launceston, checking out the Gorge and Junction Festival events during our days. Charlie kept us all very well fed with a range of delicious meals that he patiently shopped for and prepared each night in our serviced apartment. The gastronomic highlight was gourmet pizzas on our final night – smoked salmon, prawns, pickled octopus, camembert, mushrooms, rocket and olives. Excellent.
After a matinee and evening performance on Saturday and the gourmet pizzas post-show, Sunday rolled around and we realised that this was it – the last day of our tour. It has been a month of travelling and performing around this beautiful state with a really lovely bunch of folks, telling four Tasmanian stories to audiences who never failed to give us their generous support and appreciation. I have loved it. I thank all of my erstwhile companions – Charlie, Jill, Mattie, Flick, Joanie, Jemma and Scott for their unflagging professionalism, good-humour, enthusiasm and diligence. Thank you, too, to Robert, Ghost and the stalwart Annette Downs 
When you are working hard, having fun and making good theatre all at the same time it is difficult not to think that you are blessed with the best job in the world.
The tour is over…but the Hobart season has just begun! Come and see us at the Backspace, Thursday, Friday and Saturday nights throughout September.
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SATURDAY AUGUST 21 – Miena-Hobart
With the help of a couple of locals and their 4WDs Charlie got the truck winched up to the doors of the hall and the crew packed the vehicle. Unfortunately by now we were way behind schedule to make George Town for a performance that evening. Annette had to make the decision, in consultation with the George Town presenting partners, to cancel the performance for that night. All ticket holders to the George Town show will be able to come to any of our upcoming Launceston shows.
So it was a little anti-climactic to return to Hobart a day earlier than originally scheduled but, in all honesty, very good to get to see our loved ones a day sooner.
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FRIDAY AUGUST 20 – Miena
The snow came in hard overnight, lying thick on the ground and closing the roads to all but 4WD vehicles. Sadly this meant that Jill had to contact Scott and get him on the road to us before he could attend the funeral. Annette Downs from Tasmania Performs swung into gear and organised to hire a 4WD in Launceston, Scott picked it up and drove through the flurrying drifts to join us at 4.30pm. We had a full cast for the evening’s performance but unfortunately two busloads of audience members who were booked in for the show were unable to make it. We ended up performing to a small house of 24 local Miena residents – not bad considering the entire population at this time of year is about 60. The Miena community is a fantastically active one, despite being made up of a diverse group of retirees, occasional holiday-makers and long-term shack residents. Their hall is one of the best we have performed in on tour and was built and funded by the community itself with some local council help. The week before we arrived two local contacts, John and Kevin, built a full stage in a day, the night before Kevin (a retired electrician) had installed 3-phase 
power for our lighting requirements. The folks at Miena turned on a great post-show supper and many of them hung around after the show having a drink and amiably observing the cast and crew bumping-out.
We weren’t able to pack the truck after the bump out because the truck was snowed in in the hall car park.
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THURSDAY AUGUST 19 – Hobart to Miena
Left town in early afternoon minus Scottie who had to go to Burnie to attend a family funeral. It was a beautiful drive up to the Central Highlands and our accommodation at Central Highlands Lodge on the Great Lake. Not long after we arrived it began to snow. Very pretty but it did have enormous ramifications for the show on the following night…
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MONDAY AUGUST 16 ~ Flinders Island to Hobart
Flew out of Flinders on the 9am flight. Picked up the tour vehicles at Evandale and drove back to Hobart. Nights in our own beds, back home with our loved ones. Still plenty of the tour to get through – Franklin, Kettering, Miena and George Town this week, Launceston next week. Mid tour progress summary:
Show – Excellent
Audiences – Excellent
Crew – Excellent
Cast – Excellent
Accommodation – Excellent
Fishing – …a little disappointing.
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SUNDAY AUGUST 15 ~ Flinders Island – Rest Day
A day off before we all fly back on Monday for a few nights in our own beds. The weather was a bit wet and windy but the cast and crew drove north to the settlement of Killiekrankie and had a picnic on the beach. Joanie was disappointed that it was going to be too wet to make the walk along the beach to fossick for “Killiekrankie diamonds”. Instead she got to sit in the hire car and watch Guy fail to catch a fish at North East River. Mattie and Jill took some time to have a look at Trousers Point after the raves that the cast had given the place the day before. By mid afternoon the weather had closed in completely and there was nothing for it but to get snug by the fire in Charlie and Scott’s cottage and watch the footy. In the evening cast and crew convened at Jill and Mattie’s accommodation out along the Butter Factory Road where Charlie made a great risotto dinner for everyone except Guy who was catching up with his relatives. Great day off.
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SATURDAY AUGUST 14 ~ Flinders Island – Show Day
Show day but the cast had a few hours off while the crew set up the venue. Guy took them to the beautiful beaches and rocky headlands south of Flinders’ main town of Whitemark. Joanie fell in love with the place. At Trousers Point she demonstrated her self-devised natural healing method, “Rock Therapy” which consists of lying on a warm rock in a beautiful place and chilling out. Jemma and Scott were more interested in rock-hopping. Meanwhile the crew were doing an amazing job of cobbling together (with the aid of a tall ladder from the local garage), the 10 lights we managed to get on to the plane, a small portable dimmer rack, a bag of electrical leads and various scrounged items such as four flood-lights from the local general store, “jug plugs” from the local school, Guy’s wife’s Aunty Judy’s sewing chair (re-painted black) plus other bits and pieces to create the technical and staging elements required for the evening’s performance. Felicity’s boyfriend James, visiting from Ballarat, was conscripted to help and proved invaluable in quietly combing the the local community for a range of necessities. When the cast arrived for a technical run-through at 5pm the staging, lights and audio were all set in the newly refurbished Flinders Island Performing Arts Centre, a well designed venue with good facilities and a warm atmosphere.
The locals were a little worried about numbers. Although the tickets at the supermarket had sold out there was a wedding and a twenty-first birthday party on the island that afternoon so we were a bit concerned that we would have either a tipsy crowd, a sleepy crowd or no crowd whatsoever. In the end we had an audience of 110, which means Flinders Island holds the per capita attendance record of the tour so far – over 15% of the entire population (hope we can get that sort of result in Hobart!). The show was received warmly, with a lot of appreciative comments from folks after the show for “Bull Kelp”, set on King Island, which struck a chord with many of the islanders. Guy’s relatives were particularly fond of the hapless kelper Brendan, played by Scott Farrow.
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FRIDAY AUGUST 13 ~ Swansea to Flinders Island
Great night in Swansea at the end of the “Three Shows in a Row in Different Venues” stretch. Cast and crew bumped out, packed the show in the truck, having extracted the “Sex/Death Light” rig, props and costume for the flight to Flinders Island the next day. We all then convened at Joan and Jemma’s cottage for a pasta dinner cooked by the pair of them – some good wine, some good single malt whiskey, late night TV, excellent conversation and a lot of laughter. Went to bed far too late.
Woke up a little slowly and drove to Evandale Airport to catch the plane to Flinders Island at 4pm. On Flinders it was Guy’s turn to have the family connections. On arriving at Flinders Airport he bumped into his wife’s Auntie Jan, the local Regional Arts contact was his wife’s cousin’s husband, John, and tickets for the show were sold through his wife’s uncle Leedham’s supermarket. How Tasmanian is that?
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THURSDAY AUGUST 12 ~ Swansea
Drove to Swansea along the coast. Very pretty drive, gave the ipods a good workout. Jemma’s Billy Joel collection went down well. The Swansea hall had a small stage that presented some technical difficulties for quick changes in the wings and this venue, as St Helens, required the crew to use the portable lighting truss, erected on a set of portable winch-up stands. Portable – but still VERY heavy. It was a bit of an operation breaking them down, re-packingthem in road cases and getting them back in the truck.
The Swansea audience were fantastic. A great team of local residents helped arrange the hall and served tea and lollies at interval. This audience was very attentive, they watched the show with great concentration, responding warmly to all the plays, but they were especially absorbed by “Sex, Death and Fly-Fishing”. There is a cetain silence when a room full of people are completely focussed on the story being told. It is almost, for want of a better word, sacred and we actors can feel it on stage. In Swansea it was present throughout “Fly-Fishing” and it made that particular play on that particular night a very special experience for actors and audience. Folks in the audience commented on it after the show. That, my friends, is the magic of theatre.
Guy Hooper in rehearsal for “Sex, Death and Fly-Fishing” photo by Irene Lemon
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WEDNESDAY AUGUST 11 ~ St Helens
Best breakfasts of the tour were had at Scottsdale. We all ate at Jan and Holger’s bed and breakfast each morning. Big country style egg, bacon and sausage on the Tuesday morning, fantastic Danish spread of salmon, toast, salamis, liver paste, rolls and pastries for the Wednesday. No lunch necessary either day. The drive to St Helens from Scottsdale threatened to be a bit hairy. A huge dump of rain during the night had blocked some local roads. The crew set off in the truck and had to power through some water covered roads but by the time the cast came through an hour later in the van most of the water had cleared. Beautiful countryside around Scottsdale.
Arrived in St Helens and helped get props and costumes set. Jemma and Guy spent the afternoon doing the crew’s laundry. Jill, Flick, Mattie and Charlie are usually so flat chat with setting up the stage and equipment that they just don’t have time to get back to their accomodation and wash their smalls.
The hall at St Helens was a good size, but unfortunately neither we nor the local contacts could get the hall heating to work! The audience had to sit through the show in somewhat chilly conditions and we were a little apprehensive about what their mood might be. In the end they turned out to be most vocally appreciative audience of the tour so far. About 80 folks were absorbed in the drama, laughed uproariously at the comedy and gave the show a huge cheer at its conclusion. The actors then gave an impromptu post-show burlesque performance as the audience walked to the carpark just outside the spacious and warm but unfortunately uncurtained dressing room. Couldn’t get any of them to pay extra for the privilege of seeing Guy in his underpants.
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Tuesday August 10 ~ Scottsdale
The crew spent the day rigging and setting up the cosy and modern Scottsdale High School Performance Centre for the evening performance. They are working hard as they reach each venue and cobble together the gear in the truck and whatever lights and sound the venue has to create the best possible lighting and audio for the show. Jill, the tour manager, takes responsibility for constructing the set, Flick, the technician rigs lights and sound, Charlie is general hand and truck packer and Mattie assists with the rig and oversees props and costumes. For this next leg, when we will be working in three towns in quick succession, the actors will be taking on the props and costumes unpack and pack.
The performance in Scottsdale went over well to a house of about 60 or 70 folks. They seemed to be a little quiet to the actors onstage but Mattie and Charlie reported that the audience was engrossed in the plays. Mattie said that throughout the show she could hear gasps and murmers at dramatic moments. Charlie said that as he thanked all the folks as they left the venue he was warmly thanked for a great night’s entertainment.
Jemma’s boyfriend, Noah, made the cast a fantastic stir fried rice and peanut sauce for a late supper. Good show, good food. The actors were happy…
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THURSDAY – MONDAY AUGUST 5 – 9 Big Blog Catch up by the cast
Monday August 9 ~ King Island – Scottsdale
Flew out from King Island back to Devonport and then got on the road fast so that Guy and the cast could make it to the Scottsdale High School in time to take another workshop. Arrived just in time to be greeted by Greg Murchison the drama teacher and lead through to the school drama space which will also be our performance venue. Greg’s grade 9s and 10s got into the workshop and made some great “picture postcards” in their groups. The crew got on to setting up the stage and technical gear while the cast went back to their rooms. Jemma will be making dinner for all of us tonight – tuna curry and apple crumble. Excellent!
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Sunday August 8 ~ King Island 
A day off on King Island. We were not exactly out of bed early but we managed to get ourselves organised into a couple of tour parties to check out the Cheese Shop (where Mattie, our Stage Manager, went crazy for the delicious bargains), the Calcified Forest, Seal Rocks and Surprise Bay at the south end of the island. That night we treated ourselves to a fantastic dinner at a very good restaurant at the settlement of Narracoopa. Quite a few King Island beef steaks were consumed.
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Saturday August 7 ~ King Island
Show day. The hall was set up for tables and audience members brought their own dinner. It was the first time we have performed the show for a “theatre restaurant” and we were a little worried that we would have to compete with clinking cutlery and drinks orders but in the event the audience were fantastically attentive and very quiet (in the right places!). About 130 folks were there on the night and they responded very warmly to the show. This was the first community that we have toured to that is the location of one of the plays. Jemma was a little apprehensive about her character’s diatribe against King Island in “Bull Kelp”, but the locals took it in good spirit and appreciated that her character eventually succumbs to the island’s charms. Scott dod not have any relatives in the audience but he did bump into a girl he was at school with in the chemist shop.
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Friday August 6 ~ Devonport – King Island 
We all got up at the ungodly hour of 6am after the previous night’s show and headed to Devonport airport for the 8.15 flight to King Island. Jill, our tour manager, was very relieved that all our stuff came in under the limit. We arrived on King Island at about 9.00am and went to the hall where Shirley and Peter of the King Island Dramatic Society and Regional Arts welcomed us with tea, coffee, biscuits and local cheese in the dressing rooms. Guy and the cast ran a workshop for a great bunch of 30 kids from the school. It was great to see the hall full of kids practicing slapstick hits, stomps and whacks on each other! For the rest of the day Jill, Charles, Felicity and Mattie worked on the technical set up while the cast checked out the town and went for a drive around the island. Guy bought some fishing gear and went to the harbour in Currie, a beautiful spot where the local tourist guidebooks say it is almost impossible not to catch a fish. Guy, however, managed the almost impossible. That night Charlie cooked up a great pasta dish for all of us in the beautiful Fisherman’s Cottage where he and Guy were staying
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Thursday August 5 ~ Devonport
Great venue with spacious dressing rooms and plenty of wing space, the actors didn’t have to do quick changes in the the tiny backstage area behind the set. There was an audience of 90 or so on the night and they were enthralled (Scott had about ten relatives and mates in the house…). After the show we had to do a “light pack” and discard all non-essential set and costumes so that we could transport everything to King Island on the plane the next morning. The cast and crew were restricted to 4kgs of personal luggage so that our luggage allowance could be used for all the gear. 3 undies, 3 pairs of socks, one shirt and the clothes we were wearing….
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MONDAY AUGUST 9 ~ Swan Song – My final post by Irene Lemon
It has been a full week since preview night, when I said goodbye to the cast and crew of Sex, Death and a Cup of Tea. I’ve come back home to New South Wales and am trying to step back into my world of university and parenting… and how I wish I was touring with the show in beautiful Tasmania instead! Thank you to Guy Hooper and the other actors, Jemma, Joan and Scott for continuing the blog so I can still feel like I’m part of the gang! I hope all the other readers have enjoyed, and continue to enjoy, this behind-the-scenes peek into Sex, Death and a Cup of Tea!
For my final blog I would like to extend my highest regards to all the crew and cast; thank you for having me on board, and my deepest thanks go to Robert Jarman, for allowing me to have my own little space in the rehearsal room, and to Mattie Swanson.
My final photo is a closing image of the production; from the last scene of the last play The Exceptional Beauty of the First and the Last by Finegan Kruckemayer – …’and it ends beautifully too’.
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WEDNESDAY – THURSDAY AUGUST 4 & 5 – Pit stop on the way out west by Guy Hooper
Woke up in Ross and drover to Campbelltoown where the actors and stage manager, Mattie Swanson, spent a pleasant four and a half hours waiting for the van to be fixed by the local mechanical genius, Howard Fox. Howard generously spent half the day finding out why the van was constantly stalling and then remedied the problem. The van (which had been dubbed “Reg” after the dead miner in The Seagull as we gasped our way up from Hobart the day before) was renamed “Jason” because Scott pointed that “econovan” was very close to “Donovan”, particularly with the letters E and C missing (as they are on the front of the vehicle).
We hit Devonport at 6pm and went to the Devonport Entretainment Centre where the crew were finishing off the set up. Last night we had a group dinner at the actors share accomodation. Charles cooked a beautiful seafood rissotto, Mattie made a hearty salad and Jemma created what was universally hailed as a great fruit crumble. Today it was a late start, a line run for the actors during a walk a round town and then into the venue at 4pm for a technical rehearsal. Tonight we have to rationalise all the set and props and our personal luggage so that we can get the show on the light plane to King Island tomorrow.
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TUESDAY AUGUST 3 – Pontville by Guy Hooper
Tonight we performed the world premiere of Sex Death and a Cup of Tea in the Pontville Memorial Hall. There was a fair bit of work for the crew in setting up the touring rig of lights and sound, a lot of gear coming out of, and later going back into, road cases – the first show of the tour always takes a bit longer to bump in and bump out as we work out the most efficient way to do things. Our new tour technician, Felicity, was on a steep learning curve and she handled the pressure with humour, skill and assurance.
We played to a fantastic crowd of about 70 folks, including the Deputy Mayor, who all warmly received the show. At least three of the locals were relatives of Scott. He reckons there are going to be more at other stages of the tour. Will keep you informed of the tally…
Annette Downs from Tasmania Performs (center) with Jill Munroe, Robert Jarman and Charles Parkinson
FEEDBACK via Facebook: World premier performance held in Pontville Tasmania this evening and what can I say…OMG!!!!!!!!! at the risk of giving too much away…BRILLIANT. I know I will have trouble sleeping this evening…Brilliant, thought provoking, funny, the list goes on. Please don’t miss the opportunity to see it! Congratulations everyone you are amazing!!
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THURSDAY JULY 29 – The Tech Run
For the actors, the tech run is a stop-start process. The difficulty of this is the character journeys are hard to map out while the actors go from cue to cue and the energy in the scene becomes fractured; however, the beauty of the tech run is in the organisation of all the different elements in the show – props, costumes, lighting, music and sound effects, and performance. The day has the potential to be a multi-armed beast, but the cast and crew have developed a strong bond, and director Robert Jarman’s gentle touch keepsthe day rolling along.
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WEDNESDAY JULY 28 – Audio plotting
We begin the day by numbering the audio cues. By systematically working through the script, from go-to-whoa, the sound effects are planned. Everything from the King Island winds to mobile phone beep-beeps are being provided by Craig M. Wood. Stage Manager, Mattie Swanson, will be running the sound board for the tour and the production’s Hobart season; so for Mattie, today is about noting how the different tracks come together and what level of volume is required. These discussions have illuminated the risk of the sound becoming an obvious clash with the action, rather than emphasising key moments in the performance, so this planning process helps designer and director Robert Jarman position intricate details to create a seamless show.
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MONDAY JULY 26 – Day one of Production Week.
It is a week until the preview and today will be a long day. All the plays in the program have been worked, lines learnt, costumes fitted, props tried, ideas tested – the good ones kept and the not so good ones discarded. Director, Robert Jarman, has dedicated this morning’s rehearsal to problem solving the traffic of ‘stuff’ on and off the stage. The actors are working out how to move props, arrange costumes and create the set (which is designed to grow right in front of the audience). Stage manager Mattie Swanson’s systematic approach to planning the backstage area helps to organise the show so it runs smoothly.
Photo: Mattie Swanson keeping track of this morning’s process.
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THURSDAY JULY 22 – Exceptional!
It is less than 2 weeks till the preview! While certainly not panic stations, that particular revelation made me look back over the last week-and-a-half and realise how much work has been achieved. Three of the four plays of Sex, Death and a Cup of Tea have been blocked and the actors are ‘off book’. This morning we are looking at the audio side of show and this afternoon Sex, Death and Fly-fishing will be run through its paces. The set structure is nearing completion, and the costumes and props are being gathered from all imagined sources. Everyone is working fervently and the show is beginning to take a very healthy shape. With only few days until production week begins, the energy levels are ramping up.
Today’s photo is from the first full run of The Exceptional Beauty of First and the Last by Finegan Kruckemeyer.
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MONDAY JULY 19 – Bring in the set!
Last night, after a full day of Seagull rehearsals, the set was ‘bumped in’ to the theatre. Because this production is touring, the design had to accommodate travelling restrictions, especially for flying over to King and Flinders Island. That means that the set has to be constructed from pieces no longer than a suitcase!
A beautiful and amazing job has been done of the structure, which has a little bit more work needed done to it before it is show ready.
Photo: Artistic Director Charles Parkinson & Production Manager Jill Munro fit the pieces of their creation together.
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Today we discovered the secret to a wonderful life… a few abalones and some good sex!
This rehearsal, for Bull Kelp by Debra Oswald, has been the most fun so far; the wacky and uproarious Selkirk (played by Guy Hooper) helping two hapless Islander’s find true love, if only they can see the beauty and natural wonder staring them right in the face.
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THURSDAY JULY 15 – The Seagull
‘Why do you wait till I’m half way out the door before you pull a stunt like this’?
Revisiting The Seagull today and the affair between the characters Cassie and Phillip steps up a notch; the actors are striving for an insidious sexual tension leading to an explosive confrontation. There is a sense of danger that the scene could fall into melodrama, but under the skilful hands of Robert, Jemma and Guy, the characters are developing a real depth of affection and amusement in what is ultimately a very flawed relationship.
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WEDNESDAY JULY 14 – Day Two of Bull Kelp.
Today we revisited Bull Kelp, and the Scottish seal-man made his fantastic and robust entrance! Guy Hooper’s exploration of his character was incredibly funny and endearing; Robert encouraging the actor to take his actions and gestures further and further… hilarious!
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TUESDAY JULY 13 – Day One – The Seagull by Sue Smith
‘Have you ever felt that? Love so strong that you can feel ‘em beside you even if they’re at the farthest bit of the earth’? (The Seagull by Sue Smith 2010:14).
A mining community, an illicit affair, a young girl doing a lonely and dangerous job and her lover – a married man. What can the practical and enigmatic May teach this girl about real love?
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MONDAY JULY 12 - The Exceptional Beauty of the First and the Last by Finegan Kruckemeyer
Actors on the floor.
Today Scott and Jemma took to the floor and began to play! Their characters tease and flirt with each other while playing ‘knuckles’, one of my favourite childhood games. Experimenting with intimacy, the game evolved as the rehearsal progressed.
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SATURDAY JULY 10 – Day one of Sex, Death and Fly Fishing by Adam Grossetti
The first rehearsal for ‘fishing’ and director, Robert Jarman, encourages the cast to “FIND YOUR INNER FISH!”
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FRIDAY JULY 9 – Day one: Bull Kelp by Debra Oswald.
‘He scribes a circle in the sand with a piece of driftwood and the lights come on; so, it really is magical’ Robert describing a staging idea for a moment in the play.
It is the day after the reading, the floor is freshly mopped and the coffee supplies are on standby! To begin, Robert recommends a process of ‘unit-ing’; the actors read the script and when a shift occurs, such as a character goes from happy to sad, the reading is stopped and the actors analyse what is happening in that section of dialogue to see why the shift occurred. The unit is then named and the reading continues. This helps the actors all tell the same story instead of layering many different interpretations, confusing the audience.
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THURSDAY JULY 8 – The first day, the reading.
Today Sex, Death and a cup of Tea began!
The first day is usually a bit tricky; there is the nervousness and being introduced to the people who will become a major fixture in the days and weeks to come, the actors meet for the, the first time the script is voiced – so many ‘firsts’ that my head is spinning!
I’m so excited to see what will unfold from this initial day, and to watch the discoveries this show will make as it gets ready for the audience.
Photo: Director & Designer Robert Jarman describes the set
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Launceston ~ August 25 – 28
Tasmania Performs Regional Tour ~ August 3 – 21
